Papers, videotapes, audiotapes, photographic materials - 4 BOXES
Box 4 / Boxes 1-2: 1982-1991 [ negatives & transparencies ]
Box 4 / small Box 3: 1982-1991 [ 8mm Video & Audio Cassetts ]
Museum of Image and Sound, Sao Paulo/Brazil - January 25, 1988
Box 4 / 1 - negatives & transparencies
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"Scanning" -- 1 of 2 Negatives, students in Paris at L'Ecole Nationale Superieure Des Arts Et Decoratifs -- 1982
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"Scanning" -- 1 of 2 Negatives showing students of L'Ecole Nationale Superieure Des Arts Et Decoratifs -- 1982
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"Scanning" -- Color Transparency of B&W Slowscan Image of Polish students -- 1982
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"Scanning" -- Color Transparency of Documentary video Image of students in Paris studio -- 1982
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"Scanning" -- Color Transparency of Documentary video Image of students in Pittsburgh studio -- seated at left: Jim Kocher; standing 2nd from right: Bryan Kaud -- N.D.
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"Scanning" -- Color Transparency of B&W Slowscan image -- 1982
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"The World in 24 Hours" -- Ars Electronica, Linz, Austria -- Color transparency of Slowscan image from Diane Samuels' "Finger Performance" -- 1982
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"The World in 24 Hours" -- Ars Electronica, Linz, Austria -- Color Transparency of Slowscan image from Jim Kocher's "X/O" -- Ben Smith is pictured -- 1982
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"The World in 24 Hours" -- Ars Electronica, Linz, Austria -- Color Transparency of Slowscan image from Cindy Snodgrass' "Windrays Airwaves highways" -- 1982
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"The World in 24 Hours" -- Ars Electronica, Linz, Austria -- Color transparency of Slowscan image from Harry Holand's "Strata Variants" -- 1982
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"The World in 24 Hours" -- Ars Electronica, Linz, Austria -- Color Transparency of Slowscan image from Bruce Breland's "Casting my Color on the Conemaugh" Breland is pictured -- 1982
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"The World in 24 Hours" -- Ars Electronica, Linz, Austria -- Color Transparency of Slowscan image from Bruce Breland's "Casting my Colors on the Conemaugh" -- 1982
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"The World in 24 Hours" -- Ars Electronica, Linz, Austria -- Color transparency of Slowscan image received from Linz -- 1982
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"Communicationshpere" -- Workshop with Aldo Tambellini and Sarah Dickinson -- Color Transparency of Sarah Dickinson from Video -- 1984
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"Life-o-Mation" Electronic Visions II at New Orleans Contemporary Art Center -- Color Transparency of Slowscan Image by Bruce Breland "You are Now in our Time Tunnel" -- 1985
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"Life-o-Mation" Electronic Visions II at New Orleans Contemporary Art Center -- Color Transparency of Slowscan Image from Bruce Breland's "Rich Lady in the Big Steel Parking Lot" With Sarah Stengle (interscan) -- 1985
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"Life-o-Mation" Electronic Visions II at New Orleans Contemporary Art Center -- Color Transparency of Slowscan Image from Bruce Breland's "Tea Time on the Train Tracks" With Sarah Stengle (interscan) as received in New Orleans Via amateur radio -- 1985
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"Life-o-Mation" Electronic Visions II at New Orleans Contemporary Art Center -- Color Transparency of Slowscan Image from Bruce Breland's "Tea Time on the Train Tracks" With Sarah Stengle (interscan) -- 1985
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"Life-o-Mation" Electronic Visions II at New Orleans Contemporary Art Center -- Color Transparency of Slowscan Image by Claire McConaughy (Johnstown Flood/Mill Closings) -- 1985
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"Life-o-Mation" Electronic Visions II at New Orleans Contemporary Art Center -- Color Transparency of Slowscan Image by Matt Wrbican (Theme of the Death of his partner) -- 1985
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"Life-o-Mation" Electronic Visions II at New Orleans Contemporary Art Center -- Color Transparency of Slowscan Image by Jim Kocher and Jim Bishop -- 2 of 2 -- 1985
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"Life-o-Mation" Electronic Visions II at New Orleans Contemporary Art Center -- Color Transparency of Slowscan Image by Jim Kocher and Jim Bishop (Bishop is shown) 1 of 2 (interscan) -- 1985
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"Amico Di Telefax" Machina exhibition, Turin -- negative of Telefax from Turin to Bruce Breland, Describing the Project -- 1985
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"Amico Di Telefax" Machina exhibition, Turin -- negative of telefax by Lino, which children in Pittsburgh "completed" 1 of 5 -- 1985
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"Amico Di Telefax" Machina exhibition, Turin -- negative of telefax by Nathan, in tesponse to Lino from Turin -- 1985
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"Amico Di Telefax" Machina exhibition, Turin -- negative of telefax by Eli in response to Lino from Turin -- 1985
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"Amico Di Telefax" Machina exhibition, Turin -- negative of telefax by Rachel Pisciotta in response to Lino of Turin -- 1985
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"Amico Di Telefax" Machina exhibition, Turin -- negative of telefax by Christopher P. in response to Lino of Turin -- 1985
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"Memory Landscapes -- Il Paradiso" Machina Exhibition -- Turin -- fax received from Turin B&W negative -- 1985
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"Memory Landscapes -- Il Paradiso" Machina Exhibition -- Turin -- fax received from Turin B&W negative -- 1985
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"Memory Landscapes -- Il Paradiso" Machina Exhibition -- Turin -- fax received from Turin B&W negative -- 1985
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"Memory Landscapes -- Il Paradiso" Machina Exhibition -- Turin -- fax received from Turin B&W negative -- 1985
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"Memory Landscapes -- Il Paradiso" Machina Exhibition -- Turin -- Negative of telefax by Bruce Breland (Quote from Black Elk) -- 1985
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"Sonart" ANNPAC/RACA Conference -- Alma, Quebec -- Color Transparency of Madeline Dore, performer in Alma's Slowscan piece -- 1 of 2 -- 1985
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"Sonart" ANNPAC/RACA Conference -- Alma, Quebec -- Color transparency of Madeline Dore, performer in Alma's Slowscan piece -- 2 of 2 -- 1985
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"SAREX, the Ultimate Contact" -- Exchange with the Space Shuttle Challenger -- Color transparency of Slowscan image by DAX, showing the semaphore signals "W" and "P". The signals spelled "World Peace" in the sequence: W/P, O/E, R/A, L/C, D/E 1 of 3 -- 1985
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"SAREX, the Ultimate Contact" -- Exchange with the Space Shuttle Challenger -- Color transparency of Slowscan image by DAX, showing the semaphore signals "W" and "P". The signals spelled "World Peace" in the sequence: W/P, O/E, R/A, L/C, D/E 2 of 3 -- 1985
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"SAREX, the Ultimate Contact" -- Exchange with the Space Shuttle Challenger -- Color transparency of Slowscan image by DAX, showing the transition from "W/P" to "O/E". The signals spelled "World Peace" in the sequence: W/P, O/E, R/A, L/C, D/E 3 of 3 -- 1985
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"SAREX, the Ultimate Contact" -- Exchange with the Space Shuttle Challenger -- Color transparency of Michael Chepponis (DAX) on a Pittsburgh television news program -- 1985
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"SAREX, the Ultimate Contact" -- Exchange with the Space Shuttle Challenger -- Color transparency of DAX members in the Hamershlag amateur radio club (W3VC) on a local television news program. L. to R.:Bruce Breland, Jim Kocher, Unidentified, Michael Chepponis -- 1985
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"Network Planetario" 42nd Venice Biennale -- Negative of DAX members in former J&L Steel mill site -- by Gregg Podnar -- 1986
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"Network Planetario" 42nd Venice Biennale -- Negative of DAX members at former J&L Steel mill site -- by Gregg Podnar -- 1986
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"Network Planetario" 42nd Venice Biennale -- Negative of DAX members at former J&L Steel mill site -- by Gregg Podnar -- 1986
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"Network Planetario" 42nd Venice Biennale -- Negative of DAX members at former J&L Steel mill site -- by Gregg Podnar -- B&W -- 1986
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"Network Planetario" 42nd Venice Biennale -- Negative of DAX members at former J&L Steel mill site -- by Gregg Podnar -- B&W -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Dana Moser, Boston -- "United States Invades!" 1 of 4 -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Dana Moser, Boston -- "United States Invades!" 2 of 4 -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Dana Moser, Boston -- "United States Invades!" 3 of 4 -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Dana Moser, Boston -- "United States Invades!" 4 of 4 -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by the Western Front, Vancouver "news" -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by the Western Front, Vancouver -- the horizontal lines are artifacts of changing the reception speed -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by the Western Front, Vancouver -- "Phone Sex" -- the different-size patches are artifacts of changing reception speed -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Bruce Breland -- "Packaged Death" -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Phil Rostek -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Phil Rostek from "Proposition" (interscan -- a 2 dollar bill and the steps of Ellis island) -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Elizabeth Van Dusen using the MIDA group's "Video Esperanto" -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Elizabeth Van Dusen using the MIDA group's "Video Esperanto" -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Elizabeth Van Dusen Using the MIDA group's "Video Esperanto" -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Jim Kocher from "Lady Liberty" -- 1986
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"Network Planetario" 42nd Venice Biennale -- Color Transparency of Slowscan image by Jim Kocher from "Lady Liberty" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "The First Tradition" 1 of 2 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "The First Tradition" 2 of 2 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "The Rule" 1 of 2 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "The Rule" 2 of 2 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "How Brother Bruce was Admonished by the Archbishop..." -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek "How St. Shalom with certain other Lower East Side artist put to use..." -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "Maybe you can be one of us..." -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "All Authorship is Collaborative" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "The Confession of Brother Eric As Heard by Brother Phil" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "Art Doctor Rx for Quality" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "Art Doctor Rx for Idealism" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Phil Rostek -- "Art Doctor Rx for Abstract Painting" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Jim Kocher -- "Famous Indian Fighters" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Jim Kocher -- "Defense Electronics" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "Pittsburgh Globe Democrat -- Monday magazine -- Vol. 1 Issue 3" -- "The Nine Immolations of Quality -- Telecommunications Art Manifesto" by Phil Rostek -- Design by Gregg Podnar -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "Pittsburgh Globe Democrat -- Monday magazine -- Vol. 1 Issue 1" -- Designed by Gregg Podnar -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "Pittsburgh Globe Democrat -- Monday magazine -- Vol. 1 Issue 2" -- Designed by Gregg Podnar -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of 10x4 Telefax mural by Bruce Breland 83x44 in. approx. -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "The Pittsburgh Globe Democrat" By Phil Rostek "US Becomes Top Debtor Nation" 1 of 2 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "The Pittsburgh Globe Democrat" By Phil Rostek "Carrot and Scallion Salad" 2 of 2 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "The Pittsburgh Globe Democrat" by Jim Kocher "As Above so Below" -- Page 1 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "The Pittsburgh Globe Democrat" by Jim Kocher "American Indians Genocide Relocation" -- page 4 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "The Pittsburgh Globe Democrat" -- "Planetary Network -- Venice Biennale Hosts DAX Group -- Pitt may Mix it Up with a Wishbone" -- (Bruce Breland?) -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "The Pittsburgh Globe Democrat" by Frank Correnti -- "Communications Workers Strike" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax from MIDA group, Venice combining 'Video Esperanto' with Phil Rostek's "Art Doctor Rx..." -- "MIDA + DAX = MIDAX?" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Esther Musatti, Venice, responding to Bruce Breland's "El Salvador" fax -- "Answer to Pittsburgh" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by "PostMachina", Venice -- Page 1 of 9 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by "PostMachina", Venice -- Page 2 of 9 -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax "MIDA News" by MIDA group, Venice -- "Italia <-> USA <-> no terrorismo" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by MIDA group, Venice -- "Dialogo Pictomatico" -- "Africa" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by MIDA group -- "Dialogo Pictomatico -- Video Esperanto -- Gestual Alphabet" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by MIDA group, Venice -- "Cosmos" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by MIDA group, Venice -- "Planetary Voices -- Alphagramma -- Photogramma -- Tautogramma -- Pictogramma -- Ideogramma" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by MIDA group, Venice -- "Historia" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by MIDA group, Venice -- "Dialogo Pictomatico -- Video Esperanto -- MIDA alphabet" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Peeter Sepp, CAT Scan, Toronto -- "Homage to Jacques Elie" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Peeter Sepp CAT Scan, Toronto -- "How to Help Develop Planetary Art Forms" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Peeter Sepp, Cat scan, Toronto -- "The Basics" -- 1986
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"Network Planetario" 42nd Venice Biennale -- negative of Telefax by Peeter Sepp, CAT Scan, Toronto -- "Sound as a Universal Commucation, Expression, Co-Creation Medium" -- 1986
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Bitnet Macintosh Image by Matt Wrbican of "Chickles" the dolphin the Pittsburgh Zoo -- 1987
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"Tri-City Interaction" -- Tucker-Boatwright Festival, Richmond, Virginia -- Color transparency of Slowscan image from "Areevadurchi Newton" by Phil Rostek, Matt Wrbicanand Michael Parker -- 1 of 6 -- 1987
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"Tri-City Interaction" -- Tucker-Boatwright Festival, Richmond, Virginia -- Color transparency of Slowscan image from "Areevadurchi Newton" by Phil Rostek, Matt Wrbicanand Michael Parker -- 2 of 6 -- 1987
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"Tri-City Interaction" -- Tucker-Boatwright Festival, Richmond, Virginia -- Color transparency of Slowscan image from "Areevadurchi Newton" by Phil Rostek, Matt Wrbicanand Michael Parker -- 3 of 6 -- 1987
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"Tri-City Interaction" -- Tucker-Boatwright Festival, Richmond, Virginia -- Color transparency of Slowscan image from "Areevadurchi Newton" by Phil Rostek, Matt Wrbicanand Michael Parker -- 4 of 6 -- 1987
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"Tri-City Interaction" -- Tucker-Boatwright Festival, Richmond, Virginia -- Color transparency of Slowscan image from "Areevadurchi Newton" by Phil Rostek, Matt Wrbicanand Michael Parker -- 5 of 6 -- 1987
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"Tri-City Interaction" -- Tucker-Boatwright Festival, Richmond, Virginia -- Color transparency of Slowscan Image from "Areevadurchi Newton" by Phil Rostek, Matt Wrbicanand Michael Parker -- 6 of 6 -- 1987
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"Tri-City Interaction" -- Tucker-Boatwright Festival, Richmond, Virginia -- Color Transparency of Slowscan image by Jim Kocher -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of video image showing audience, props & participants in CFA Loge prior to Performance -- Scott Timm is barely Visible in tetrahedron, Matt Wrbican is standing with script in hand -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of dancer from Sao Paulo -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of dancer from Sao Paulo (interscan) -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of dancers from Sao Paulo, later combined with image of Scott Timm by Jim Kocher -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of Scott Timm combined with image of Sao Paulo dancers and retransmitted to Sao Paulo, by Jim Kocher -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of Scott Timm (interscan) -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of Scott Timm (interscan) -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of Scott Timm (interscan) -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of Scott Timm's hand (interscan) -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of Scott Timm (interscan) -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of Slowscan image of Scott Timm (interscan) -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of slowscan image of red, green, and blue composite of Scott Timm by Jim Kocher -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of slowscan image of red, green, and blue composite of Scott Timm by Jim Kocher -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of slowscan image of red, green, and blue composite of Scott Timm by Jim Kocher -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of slowscan image of red, green, and blue composite of -- 1987
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"Video Crossing -- Magical DAX" -- Color Transparency of slowscan image of red, green, and blue composite of Scott Timm by Jim Kocher -- 1987
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"Electronic TOAs" Bitnet Macintosh Image by Robert Dunn -- 1987
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"Electronic TOAs" Bitnet Macintosh Image by Matt Wrbican -- 1987
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"Intercities: Sao Paulo -- Pittsburgh" Color Transparency of Slowscan image of Bruce Breland reading his paper to the Sao Paulo Audience -- Pittsburgh site was the 4th floor loge In the CFA -- 1988
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"Intercities: Sao Paulo -- Pittsburgh" Color Transparency of Slowscan image of Artur Matuck in Sao Paulo -- 1988
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"Intercities: Sao Paulo -- Pittsburgh" Color Transparency of Slowscan image of Paulo Laurentil reading his paper to the audience in Pittsburgh and Sao Paulo -- 1988
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"Intercities: Sao Paulo -- Pittsburgh" Color Transparency of Slowscan image of "Interactive Video Creature" from Sao Paulo -- the video face was performed by Autumn Parole in Pittsburgh -- 1988
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"Intercities: Sao Paulo -- Pittsburgh" Color Transparency of Slowscan image from Sao Paulo for Jim Kocker's "Co-Creation of Global Icons" -- 1 of 2 (a) -- 1988
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"Intercities: Sao Paulo -- Pittsburgh" Color Transparency of Slowscan image from Sao Paulo for Jim Kocher's "Co-Creation fo Global Icons" -- 2 of 2 (a) -- 1988
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"Intercities: Sao Paulo -- Pittsburgh" Color Transparency of Slowscan image from Sao Paulo for Jim Kocker's "Co-Creation of Global Icons" -- 1 of 2 (b) -- 1988
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"Intercities: Sao Paulo -- Pittsburgh" Color Transparency of Slowscan image from Sao Paulo for Jim Kocker's "Co-Creation of Global Icons" -- 2 of 2 (b) -- 1988
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"Rivers, Mountains, Glaciers" Color Transparency of Slowscan composite comprised of mountain climber image From Visual Arts Center (Anchorage, Alaska) and Natural Bridge, Virginia image from DAX -- Created by Jim Kocher -- 1988
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"Rivers, Mountains, Glaciers" Color Transparency of Slowscan image by Mario Gonzalez of Anchorage -- image 1 of 2 -- 1988
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"Rivers, Mountains, Glaciers" Color Transparency of Slowscan image by Mario Gonzalez of Anchorage -- image 2 of 2 -- 1988
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"Rivers, Mountains, Glaciers" Color transparency of Slowscan image by Matt Wrbican -- 1988
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"Making the Invisible Visible" Ninth European Meeting on Cybernetics and Artificial Intelligence Systems, Vienna -- negative of Bitnet Miacintosh image by Matt Wrbican -- quote from Gregory and Mary Caroline Bateson -- 1988
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"Making the Invisible Visible" Ninth European Meeting on Cybernetics and Artificial Intelligence Systems, Vienna -- Negative of Bitnet Macintosh image by jim Kocher, Returned to Pittsburgh from Vienna with snake and skull -- 1988
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Negative of Telefax from Franco Meloni (Plexus) and University of Cagliari, Sardinia to Robert Dunn, Incorporating Dunn's Bitnet images -- 2 of 2 -- 1989
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Negative of Telefax from Franco Meloni (Plexus) and University of Cagliari, Sardinia to Robert Dunn, Incorporating Dunn's Bitnet images -- 1 of 2 -- 1989
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Bitnet Macintosh image by Nathania Vishnevsky -- 2 of 2 -- 1989
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Bitnet Macintosh image by Nathania Vishnevsky -- 1 of 2 -- 1989
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Modemmed Macintosh image From Jeff Brice, Seattle -- 1989
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Bitnet Macintosh image by Matt Wrbican -- quote from a Brule Sioux creation story by Leonard Crow Dog -- 1 of 4 -- 1989
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Bitnet Macintosh image by Phil Rostek and Robert Dunn -- 1989
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Bitnet Macintosh image by Ben Horten, Based on Jim Kocher's image -- 1989
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Bitnet Macintosh image by Jim Kocher -- 1989
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"Aspects of Gaia: Digital Paths Across the Globe" Ars Electronica, Linz, Austria -- Bitnet Macintosh image by Robert Dunn -- 1989
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"Collaboration is not a Spectator Sport" -- Poster by Matt Wrbican -- Photo of demolition of Tartal Field grandstand -- 1989-1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image from the electronic cafe, Santa Monica, California
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image from the University of Campinas, Brazil by Paulo Laurentiz -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image from the University of Campinas, Brazil by Paulot Laurentil -- 1 of 2 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image from the University of Campinas, Brazil by Pablo Laurentiz -- 2 of 2 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Jeff Breland of Baltimore Arts group -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Jeff Breland of Baltimore Arts group -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Eduardo Kac of Chicago -- 1 of 2 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Eduardo Kac of Chicago -- 2 of 2 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Cindy Snodgrass -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Cindy Snodgrass -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Cindy Snodgrass -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Cindy Snodgrass -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Dana Moser of Boston -- 1 of 6 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Dana Moser of Boston -- 2 of 6 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Dana Moser of Boston -- 3 of 6 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Dana Moser of Boston -- 4 of 6 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Dana Moser of Boston -- 5 of 6 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Dana Moser of Boston -- 6 of 6 -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Dana Moser of Boston -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Matt Wrbican of Earth Day sunrise ceremony at Point State Park (interscan) -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Matt Wrbican of Earth Day sunrise ceremony at Point State Park (interscan) -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Matt Wrbican of Earth Day sunrise ceremony at Point State Park (interscan) -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Matt Wrbican of Earth Day sunrise ceremony at Point State Park (interscan -- Alison Hunt Smith shown) -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Matt Wrbican&Nathania Vishnevsky -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of quad slowscan image by Randall Anderson of The Western Front, Vancouver -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of Slowscan image by Randall Anderson of The Western Front, Vancouver (interscan -- the horizontal Lines are an artifact of changing the reception speed in Pittsburgh) -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of quad Slowscan image by The Western Front, Vancouver -- Hank Bull is shown -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of quad Slowscan image by The Western Front, Vancouver -- The Iron-on decal was designed by Jeff Brice -- 1990
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"Earth day '90 Global Network and Impromptu" Color Transparency of quad Slowscan image by The Western Front, Vancouver -- 1990
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"Earth day '90 Global Network and Impromptu" Negative of telefax by Matt Wrbican and Alison Hunt Smith -- "Earth Gem" -- 1990
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"Earth day '90 Global Network and Impromptu" Negative of telefax reply to "Earth Gem" from Campinas, Brazil -- 1990
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"Earth day '90 Global Network and Impromptu" Negative of telefax by Phil Kostek -- 1990
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"Earth day '90 Global Network and Impromptu" Negative of telefax by Phil Kostek -- 1990
FF 527
"Earth day '90 Global Network and Impromptu" Negative of telefax by Cindy Snodgrass -- 1990
FF 528
"Earth day '90 Global Network and Impromptu" Negative of telefax by Cindy Snodgrass -- 1990
FF 529
"Earth day '90 Global Network and Impromptu" Negative of telefax by Cindy Snodgrass -- 1990
FF 530
"Earth day '90 Global Network and Impromptu" Negative of telefax from Roy Ascott, Vienna -- 1 of 3 -- 1990
FF 531
"Earth day '90 Global Network and Impromptu" Negative Of telefax from Roy Ascott, Vienna -- 2 of 3 -- 1990
FF 532
"Earth day '90 Global Network and Impromptu" Negative Of telefax from Roy Ascott, Vienna -- 3 of 3 -- with added text by Lowry Burgess, Dean of the College of Fine Arts -- 1990
FF 533
"Earth day '90 Global Network and Impromptu" Negative of telefax by Cindy Snodgrass with added collate by Campinas, Brazil -- 1990
FF 534
"Earth day '90 Global Network and Impromptu" Negative of telefax by Artur Matcuk, Campinas -- interacted upon by Cecilia Melo E Castro, Lisbon -- 1990
FF 535
"Earth day '90 Global Network and Impromptu" Negative of telefax by Bruce Breland -- 1990
FF 536
"Earth day '90 Global Network and Impromptu" Negative of telefax by Bruce Breland -- interacted with in Campinas, Brazil -- 1990
FF 537
"Earth day '90 Global Network and Impromptu" Negative of telefax from The Western Front, Vancouver -- 1990
FF 538
"Earth day '90 Global Network and Impromptu" Negative of telefax by Randall Anderson, The Western Front, Vancouver -- 1990
FF 539
"Earth day '90 Global Network and Impromptu" Negative of telefax from The Western Front, Vancouver -- 1990
Box 4 / 2 - negatives & transparencies
FF 540
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan TV image by Phil Rostek -- 1990
FF 541
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Phil Rostek -- 1990
FF 542
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Phil Rostek -- 1990
FF 543
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Phil Rostek -- 1990
FF 544
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Phil Rostek -- 1990
FF 545
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Phil Rostek -- 1990
FF 546
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Phil Rostek -- 1990
FF 547
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Phil Rostek and ?Cindy Snodgrass?
-- 1990
FF 548
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Rostek and Snodgrass -- 1990
FF 549
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Cindy Snodgrass -- 1990
FF 550
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Cindy Snodgrass being replaced by image by Phil Rostek (interscan) -- 1990
FF 551
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image of Bruce Breland (left) and Matt Wrbican (right) in the Senegal Television studio, Dakar -- 1990
FF 552
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Matt Wrbican and Bruce Breland -- The English word "nice" (from the phrase "nice to see you") spelled with the Wolof language picture lexicon -- 1990
FF 553
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Matt Wrbican and Bruce Breland -- The English word "you" spelled using Wolof language picture lexicon -- 1990
FF 554
"Dakar D'Accord -- Goree Song' -- Color transparency of Slowscan image by Bruce Breland and Matt Wrbican of a member of Lex Ballets Unite Africaine -- 1990
FF 555
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Breland of a member of Les Ballets Unite Africaine -- 1990
FF 556
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Wrbican of Les Ballets Unite Africaine -- 1990
FF 557
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Wrbican of Les Ballets Unite Africaine -- 1990
FF 558
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Breland of Acrobat-dancer of Les Ballets Unite Africaine -- 1990
FF 559
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan imageby Breland of drummers from Les Ballets Unite Africaine -- 1990
FF 560
"Dakar D'Accord -- Goree Song" -- Color transparency of Slowscan image by Wrbican of Les Ballets Unite Africaine -- 1990
FF 561
"Art's Birthday" -- Color transparency of Slowscan image by The Western Front, Vancouver -- 1991
FF 562
"Art's Birthday" -- Color transparency of Slowscan image by Jeff Breland of Baltimore Arts Group -- 1991
FF 563
"Art's Birthday" -- Color transparency of Slowscan image by Bruce Breland, DAX -- 1 of 2 -- 1991
FF 564
"Art's Birthday" -- Color transparency of Slowscan image by Bruce Breland, DAX -- 2 of 2 -- 1991
FF 565
"Art's Birthday" -- Color transparency of Slowscan image by Phil Rostek -- 1991
FF 566
"Art's Birthday" -- Negative of Telefax by Gilbertto Prado of Art Reseaux, Paris -- 1991
FF 567
"Art's Birthday" -- Color transparency of Slowscan image by Cindy Snodgrass (DAX) of her children, Aimee and Erin -- 1991
FF 568
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Color transparency of Slowscan image by Paul Sermon, et. Al. at Watershed Media Centre, Bristol, United Kingdom -- 1991
FF 569
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Color transparency of Slowscan image from "Co-Creation of Global Icons" by Jim Kocher (DAX) -- the 2 images were drawn by children in the gallery and composited in the Slowscan transceiver. -- 1991
FF 570
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Color transparency of Slowscan image from "Co-Creation of Global Icons" by Jim Kocher -- The "Radiant Heart" is from Japan, the "Sun" is from Pittsburgh and the dark "Face" is from Jeff Bricem Seattle -- 1991
FF 571
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Color transparency of Slowscan image of Phil Rostek in his McLuhan quote piece 1 of 15 -- 1991
FF 572
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Color transparency of Slowscan image of Phil Rostek in his McLuhan quote piece 11 of 15 -- 1991
FF 573
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Color transparency of Slowscan image of Phil Rostek in his McLuhan quote piece 12 of 15 -- 1991
FF 574
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Color transparency of Slowscan image of Phil Rostek in his McLuhan quote piece 13 of 15 -- 1991
FF 575
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Color transparency of Slowscan image of Phil Rostek in his McLuhan quote piece 15 of 15 -- 1991
FF 576
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Color transparency of Slowscan image from the Watershed Media Centre, Bristol United Kingdom -- 1991
FF 577
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Negative of telefax by Eduardo Kac, Chicago -- 1991
FF 578
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- Negative of detail of telefax by Don baker, Seattle -- "Don't let Gunfire Interrupt your TV" -- 1991
FF 579
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- negative of telefax by Gilbertto Prado, Art Reseaux, Paris -- "Peace Flag" -- 1991
FF 580
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- negative of detail of telefax By Hank Bull, The Western Front, Vancouver -- "Journey Into the Desert" -- 1991
FF 581
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- negative of detail of telefax By Paul Sermon, Gwent, Wales -- "Whisper from the War Zone" 1 of 2 -- 1991
FF 582
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- negative of detail of telefax by Paul Sermon, Gwent, Wales -- "Whisper from the War Zone" 2 of 2 -- 1991
FF 583
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- negative of detail of telefax Initiated in Pittsburgh and returned from Paris -- "Our New Identities in the New World Order" -- 1991
FF 584
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- negative of detail of telefax by Kris Scholz, Dusseldorf -- 1991
FF 585
"Scanning" -- 3 B&W positives -- at Warner Cable TV -- Banksville Studio -- 1982
FF 586
"Scanning" -- 35 B&W Negatives -- 1982
FF 587
"Scanning" -- 5 B&W Negatives of Arkam Midani, Bruce Breland, Jim Kocher and Others at Warner Cable TV -- 1982
FF 588
"La Plissure Du Texte" -- Musee d'Art Moderne de la Ville De Paris -- Electra '83 Exhibition -- 12 B&W Negatives of DAX members in Phipps Conservatory by Genny Gaiser -- Contact sheets and some prints in collection -- 1983
FF 589
"La Plissure Du Texte" -- Musee d'Art Moderne de la Ville De Paris -- Electra '83 Exhibition -- 27 B&W negatives of Bruce Breland, Henry Pisciotta, Genny Gaiser, Jim Kocher In Hunt Library at Computer -- some double exposures -- 1983
FF 590
"Video Crossin -- Magical DAX" -- 2 color negatives of Jim Kocher's drawing of the performance space in the CFA loge -- "Chuckles" the river dolphin at Pittsburgh Zoo -- 1987
FF 591
"First Light" Promo -- 3 color negatives of Bruce Breland Videotaping the big tree in Schenley Park -- by Matt Wrbican -- 1987
FF 592
10 color negatives of "Chuckles" (river dolphin at Pittsburgh Zoo) and Dr. Liu, Visiting Marine Biologist from Wuhan, China -- 1987
FF 593
"Rivers, Mountains, Glaciers" 2 color negatives of Jim Kocher, Robert Dunn and Phil Rostek, Michael Parker in Wean Hall 7500 -- 4 color negatives of Jim Kocker, Robert Dunn and Michael Parker at Mountain Lake, Virginia During new river photo shoot -- 1987
FF 594
"Une Excursion de l'Esprit: Une Voyage Sur La Mer Telematique" -- 4 color negatives of the discussion at the University of Pittsburgh -- 1988
FF 595
"Earth Day '90 Global Network and Impromptu" -- DAX Members in rms 415&415A -- 9 color negatives by Henry Pisciotta, color prints in collection -- 1990
FF 596
"Dakar D'Accord -- Goree Song" -- 2 negatives B&W of Phil Rostek's "Nous Avons Parle" mural and "Collaboration Is not a Spectator Sport" posters -- 1990
FF 597
"Texts, Bombs, and Videotape: Journeys Into the Zone" -- Pittsburgh Center for the Arts -- 14 color negatives of Pittsburgh Center for the Arts -- 14 color negatives of Pittsburgh installation by Phil Rostek -- also of Matt Wrbican -- 1991
Box 4 / small Box 3 8mm Video & Audio Cassetts
AUD1
"Scanning" -- Breland, Ascott, Wiener Teleconference "Aspects of Gaia: digital Paths Across the Globe" -- "Video Crossing" -- "Sound Map" -- 1982, 1987, 1989
AUD2
University of the Ionoshpere -- First Pilot Project -- 1985
AUD3
Joe Davis Lecture -- Breland, Dernini, Meloni, Dunn phone conversation
-- 1985, 1987
AUD4
Phone Conversations Breland&Dernini -- Phone Discussion of slowscan tests -- Development office meeting -- 1987-1989
AUD5
"Mountains, Rivers, Glaciers" Water/Seismic sounds -- N.D.
AUD6
"Mountains, Rivers, Glaciers" Seismic sounds -- 1988
AUD7
Breland's first trip to Senegal -- N.D.
AUD8
Trips to Senegal -- Cora musician -- healing ceremony -- Sand painter -- goree slave house -- Fanta Mbacke Kouyate -- orientation by Mur Thiam -- 1989-1990
AUD9
2nd trip to Senegal -- Orientation by Mur Thiam -- Breland Discusses purpose of trip -- stereo recording of Les Ballets Unite Africaine -- 1990
AUD10
2nd trip to Senefal -- stereo recording of Les Ambassadeurs Children's dance company -- interview with Maurice Sonar Senghor -- 1990
VID1
"Scanning", "The World in 24 Hours", Linz Austria, "Ars Electronica" Exhibit -- 1982
VID2
"Communicationsphere" -- "Kunstfunk" Weiner Festwoche
-- 1984
VID3
2 SSTV Exchanges -- "Sonart" -- Alfred U., NY and Mass. College of art -- 1985
VID4
"Life-o-Mation" at "Electronic Visions II", New Orleans -- 1984-1985
VID5
"Life-o-Mation" at "Electronic Visions II", New Orleans -- 1985
VID6
"Life-o-Mation" at "Electronic Visions II", New Orleans -- 1985
VID7
"On Target??" -- Bruce Breland lecture Atlanta Coll. Of Art -- 1985-1986
VID8
"Network Planetario" SSTV by Western Front, Vancouver -- 1986
VID9
"Network Planetario" Tape 2 -- 1986
VID10
"Network Planetario" Tape 3 -- 1986
VID11
"Surreal Rythms" The Surrealist Ball, Boston -- "Video Crossing -- the Magical DAX" documentary -- 1986
VID12
"Video Crossing -- Magical DAX" Test -- "Magic Hands" IAN promo tape -- "Call/Waiting" Pittsburgh recording -- 1986
VID13
"Video Crossing-Magical DAX" -- 1986
VID14
"Tri-City Interaction" -- "The Magical DAX-3" -- N.D.
VID15
"Intercities Sao Paulo-Pittsburgh" -- N.D.
VID16
"Rivers, Mountains, Glaciers" -- Earth Day Exchange -- 1988
VID17
"Earth Day" -- "Aspects of Gaia" -- Montage of a Dream Through Time -- 1989
VID18
"Earth Day '90 Global Network and Impromptu" -- 1990
VID19
"Dakar D'Accord -- Goree Song" Record of Exchange -- 1990
VID20
"Dakar D'Accord -- Goree Song" Record of Exchange -- 1990
VID21
"Dakar D'Accord -- Goree Song" Slowscan Transmission -- 1990
VID22
"Dakar D'Accord -- Goree Song" Edited for Slowscan -- 1990
VID23
"Dakar D'Accord -- Goree Song" Doc. of Sengalese dance and drum groups -- Fanta -- 1990
VID24
"Dakar D'Accord -- Goree Song" Silimbo D'Adeane dance company -- Sengalese TV -- DAX receiving SSTV in Dakar -- 1990
VID25
"Dakar D'Accord -- Goree Song" National theater of Senegal production -- incomplete -- 1990
VID26
"Dakar D'Accord -- Goree Song"Various Footage (docu.) -- 1990
VID27
"Art's Birthday" -- Documentation by Artur Matuck et. Al. -- 1991
VID28
"Art's Birthday" -- 1991
VID29
"Texts, Bombs, and Videotape: Journeys into the Zone" -- 1991
VID30
"Texts, Bombs, and Videotape: Journeys into the Zone" Exhibition tape -- Gwent test -- Gwent exchange -- 1991
VID31
Bruce Breland's "Farewell Lecture" -- "Texts, Bombs, and Videotape" -- 1991
VID32
"Castings" -- "Aspects of Gaia" -- Chicago SSTV -- Plexus -- "Chuckles" -- 1983, 1987, 1989
VID33
"Call/Waiting" Atlanta Recording -- "MAPS" hypercard stack -- 1988-1989
VID34
"The World in 24 Hours", Linz, Austria -- "Kunstfunk", Vienna -- 1982, 1984
VID35
"Kunstfunk", Vienna -- "Wiencouver IV" part 1&2 -- 1983, 1984
VID36
"Wiencouver IV" part 2-4 -- 1983