COLOR PLATE A

No.1: Artur Matuck, slow-scan television frame sent from Pittsburgh to Sao Paulo, 1988.
A Pittsburgh 'replicant' responds to Rejane Augusto's interactive piece.
(Photo: Paulo Laurentiz)

No.2: Mobile Image/Kit Galloway and Sherrie Rabinowitz, Virtual space/Composite
Image-Space Dance, from Satellite Arts Project, 1977. The image of Mitsu (with
white hat) in Maryland was mixed with the image of her dance partners, Keija
and Soto, in California, enabling them to dance together in the same live image.
Copyright 1977 Galloway and Rabinowitz. Reprinted by permission.

No.3: Jennifer Hall, testing MultiScene, a multi-user/multi-Iayered
telecommunications program, 1985. The user can use real-time type, online private
messages and a shared painting palette at the same time. The blue section of the
screen is where regular online typing communication occurs. The white section is a
slightly delayed painting palette. Each participant can draw to this section of the screen,
eventually creating an image with contributions by many users. The yellow section occurs
over the white section when an incoming message is posted for an individual user. This
message can only be seen on the screens of those users to whom the message has been
sent.

No.4: M. Aitiani, Città satellite and computers, watercolor and wood,
290 x 165 x 80 cm (1987-1990). Computer programming by F. Giomi.

COLOR PLATE B

No.1: Peeter Sepp, color photocopy of documentation booklet depicting a session at an
Alien Nation improvisation at Cameron Public House in Toronto, 5 May 1972, for later
broadcast into outer space, 81/2 x 14 in (detail). (Photo: Lembit Ristsoo )

No.2: Stefan Barron and Sylvia Hansmann, from the Lines project, 1989. Each of the
eight reception points was sent 106 faxes, for a total of 848 faxes. The faxes were not cut;
each point received a 30-meter roll of telefax. The "M.E.R.I.D.I.E.N." serial was made the
eighth day of the project, near Tarbes in the South of France. (Photo: Francois Labastie)

No.3: Dana Moser, slow-scan image from Correspondent in Babel,
Munich, Germany/Boston, Massachusetts (1983).